Tuesday, June 16, 2009
What i am doing today
Suicide
Monday, June 15, 2009
HavIng the Sagar Aliyas Jacky Look
Fresh Protests After Iran Elections
Saturday, June 13, 2009
Pablo Picasso Biography
The enormous body of Picasso's work remains, and the legend lives on—a tribute to the vitality of the “disquieting” Spaniard with the “sombre . . . piercing” eyes who superstitiously believed that work would keep him alive. For nearly 80 of his 91 years Picasso devoted himself to an artistic production that contributed significantly to and paralleled the whole development of modern art in the 20th century.
Life and career
Early years
Pablo Picasso was the son of José Ruiz Blasco, a professor of drawing, and Maria Picasso López. His unusual adeptness for drawing began to manifest itself early, around the age of 10, when he became his father's pupil in La Coruña, where the family moved in 1891. From that point his ability to experiment with what he learned and to develop new expressive means quickly allowed him to surpass his father's abilities. In La Coruña his father shifted his own ambitions to those of his son, providing him with models and support for his first exhibition there at the age of 13.
The family moved to Barcelona in the autumn of 1895, and Pablo entered the local art academy (La Llotja), where his father had assumed his last post as professor of drawing. The family hoped that their son would achieve success as an academic painter, and in 1897 his eventual fame in Spain seemed assured; in that year his painting Science and Charity, for which his father modeled for the doctor, was awarded an honorable mention in Madrid at the Fine Arts Exhibition.
The Spanish capital was the obvious next stop for the young artist intent on gaining recognition and fulfilling family expectations. Pablo Ruiz duly set off for Madrid in the autumn of 1897 and entered the Royal Academy of San Fernando. But finding the teaching there stupid, he increasingly spent his time recording life around him, in the cafés, on the streets, in the brothels, and in the Prado, where he discovered Spanish painting. He wrote: “The Museum of paintings is beautiful. Velázquez first class; from El Greco some magnificent heads, Murillo does not convince me in every one of his pictures.” Works by these and other artists would capture Picasso's imagination at different times during his long career. Goya, for instance, was an artist whose works Picasso copied in the Prado in 1898 (a portrait of the bullfighter Pepe Illo and the drawing for one of the Caprichos, Bien tirada está, which shows a Celestina [procuress] checking a young maja's stockings). These same characters reappear in his late work—Pepe Illo in a series of engravings (1957) and Celestina as a kind of voyeuristic self-portrait, especially in the series of etchings and engravings known as Suite 347Sigmund Freud
Ken Saro-Wiwa - Shell Problem n Execution
The 1995 executions of Ogoni leader Ken Saro-Wiwa and eight Ogonis by Nigeria’s military government attracted international condemnation. Although SPDC was not responsible for those tragic events, and SPDC - and Shell International in London – had attempted to persuade the government to grant clemency, the family of Ken Saro-Wiva and others brought a court case against Shell. The allegations being made are false and without merit.
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SPDC started operations in Ogoni land in 1958. The company withdrew in 1993 because of violence against staff and actions targeting our facilities. At the time, oil production from Ogoni land – some 28,000 barrels a day (b/d) - accounted for a small proportion of SPDC’s total production in Nigeria of around 1 million b/d.
The rising agitation coincided with the activities of the Movement for Survival of the Ogoni People (MOSOP), which was campaigning for greater control over oil and gas resources on their land, for economic development, and autonomy over their affairs, (including cultural, religious and environmental matters). MOSOP – of which Ken Saro-Wiwa became president in 1993 - also alleged that the oil industry was causing ‘environmental devastation’.
There was ongoing violence and in May 1994 four prominent Ogoni leaders were murdered. The government arrested Ken Saro-Wiwa for complicity in the crime. The charges were unrelated to his criticisms of Shell, which had no involvement in the case. No member of Shell staff was on trial, none was called as a witness, and neither Shell nor SPDC was mentioned in any of the charges. On October 31, 1995, Ken Saro-Wiwa and eight other Ogonis were sentenced to death for inciting the murder of the four Ogoni leaders. They were executed on November 10, 1995.
Despite Ken Saro-Wiwa's criticisms of the company before his arrest, SPDC publicly said that he had a right to freely hold and air his views. During the trial, Shell stated that the accused had a right to a fair legal process. After the trial verdict was announced, the then Chairman of Shell’s Committee of Managing Directors, Cor Herkstroter, sent a personal letter appealing to the Head of State to show clemency on humanitarian grounds to Ken Saro-Wiwa and his co-defendants. To our deep regret that appeal - and the appeals made by many others - went unheard. We were shocked and saddened by the news that the executions had been carried out.
Although there were environmental problems in the Niger Delta in the early 1990s and the activities of the oil industry did affect the environment, a number of international journalists who visited the Delta reported that the claims of environmental devastation just weren’t true. The World Bank carried out the most comprehensive study of the Delta environment at the time. Its report in 1995 made clear that oil pollution was only a moderate factor when compared with other environmental problems of the region. |